What Lies in Between Skies and Seas for this Artist

From Kyiv to Germany, Liza’s artistic path has been shaped by two worlds—one rooted in discipline and technical mastery, the other opening doors to freedom and self-discovery. This duality continues to inform her practice, giving her paintings both precision and openness, structure and emotion. Her canvases, often filled with glowing skies, sunsets, and seas, capture fleeting moments of calm that remind us to pause in life’s constant rush and notice the beauty of the present. Working with a vibrant yet minimal palette, Liza doesn’t simply recreate landscapes; she distills their essence, creating atmospheres that invite reflection and connection. Her paintings feel like windows into inner states, offering viewers a breath of peace in the midst of chaos. In her process, she balances observation with emotion, bringing together the external world and her internal responses to it.

Through her work, Liza seeks not only to paint what she sees, but also what she feels; fragile instants of wonder made eternal in color. Her art becomes a bridge between memory and immediacy, between what is fleeting and what endures. In this interview, she shares more about the influences behind her practice, the role of place and movement in her work, and the emotions she hopes to evoke in those who encounter her art.

Hi Liza, you trained in Kyiv before settling in Germany. How has navigating these two cultural and environmental landscapes shaped your art?

Hi, thank you for asking! I began my artistic journey in Kyiv, where I took my very first steps as an artist. That’s where I bought my first colors and started exploring painting. For me, the art world there always felt intense and highly focused on perfection. I sometimes joke that if I see an artwork I love, in 8 out of 10 cases the artist is from Ukraine. That early experience shaped my technical skills and sparked my love for art, which will always remain sentimental for me. Germany, on the other hand, influenced me in a different way. It gave me the chance not just to practice art as I knew it, but to discover who I am as an artist – what I want to express, what I want to share, and what I want to leave behind. Creating here isn’t just about technical perfection or fitting a standard, it’s about giving my work meaning and a sense that resonates. The combination of discipline and freedom is what continues to shape my art today.

Your work often depicts seascapes, sunsets, and skies with intense color and atmosphere. What themes and emotions do you aim to invoke through them?

My work comes from the moments that really move me. I try to capture those little pockets of calm and happiness in a world that’s always rushing. Everyone’s busy – jobs, kids, bills, meetings, worries – but then there’s that pause, when you see a beautiful sunset and just think, wow, this is nice. Those fleeting moments of calm and wonder are what I try to hold onto in my paintings. I hope that when people see my work, they can feel that same pause, that same little moment of peace.

What does your ideal colour palette look like and what is the underlying idea behind choosing it? 

I don’t need much when it comes to colors – just my go-to palette: lemon yellow, cadmium red, ultramarine blue, and titanium white. I have other colors I use occasionally, like accessories, but the base palette is always the same. This started when I was learning to paint. We had to work with just three colors to understand how to mix everything else. I loved that exercise, and I still use it today. Working this way gives me a lot of freedom and confidence – I know I can create any color I need. At the same time, these four colors naturally create the vibrancy and harmony I love, letting me focus on the mood and emotion I want to convey in each painting.

Do you have a predecided technique for every piece or do you go with the flow? 

I never plan ahead – that’s just not how I work. I always go with the flow. It’s just me and the canvas, and that process feels sacred to me. Whenever I’ve tried planning or sketching first, it ends up feeling forced, like I’m not really creating anymore, just copying something I’ve already imagined. So I don’t. I let it happen naturally. I let myself be, and I let the painting lead the way.

Can you recall the earliest creative memory that felt significant to you or made you feel like an artist even before you identified as one?

One of my earliest creative memories is from school art classes, but what really sticks out is doing homework with my grandma. She could draw beautifully, and I was completely amazed. Doing it together felt so warm and rewarding that my six-year-old self was genuinely happy. For me, it’s not about being called an artist – it’s just the joy of creating. I think that’s when the spark first started, and why I’ve always loved making things.

How did your first exhibition or fair make you feel, and how did it influence your future career direction?

My first exhibition was such a nice experience. Hearing people say “Wow, you’re doing this so well,” gave me a real boost of confidence. It made me excited to keep creating, explore more, and really follow my path as an artist.

Your oil paintings are featured on platforms like artSOLITAIRE, Artfinder, and TRiCERA. How does showing your work online differ from physical gallery spaces?

Sharing my work online is a treat for my introverted self. But it’s also amazing because it lets me reach so many people I never could have in a physical gallery. It’s a way to connect with a wide audience while staying true to how I work and create.

Out of the multiple features and awards you’ve won, which one is the closest to your heart and why? 

I actually don’t focus on awards. For me, art is about exploring, creating, and finding your own voice – not competing with others. Everyone’s work is unique, and it’s not about being the best, but about being real and staying true to yourself. I hope every artist can find their own way, rather than trying to measure themselves against someone else.

As your presence grows digitally and internationally, how do you choose which galleries, fairs, or partnerships feel aligned with your creative intent?

I follow a “less is more” approach. Over time, I’ve realized that teamwork really is dream work. I’m happy to have found people – galleries, fairs, and partners – who share the same vision and values as I do. It’s important for me to collaborate with those who understand and support my creative intent, rather than just seeking exposure anywhere.

Are you looking forward to any piece/exhibition or newer themes to work on in future?

Right now, I’m working on the biggest project of my art career – one that will definitely hold the top spot on my CV. I can’t share too many details yet since it’s under NDA, but it’s a really exciting milestone for me. I can’t wait for the moment I can finally show it to the world.

Liza’s art is a reminder that meaning doesn’t lie in perfection, but in presence. Whether exhibited in galleries, online platforms, or soon-to-be-unveiled major projects, her work continues to create space for stillness and connection. As she balances discipline with spontaneity, and local roots with international reach, Liza shows us that art is not just about technique, it’s about finding the moments worth holding on to, and sharing them with the world.

To learn more about Liza, click on the links below