What Brigitte Puschmann’s Studio Reveals About Her Art and Process
Brigitte Puschmann, born in Munich in 1969, has had a remarkable career in business and art. As Global Vice President at a world-leading software company, she was known for her analytical and transformational skills, which are also reflected in her work. Now she works as a full-time fine art artist. Despite her professional success, she always strived for artistic expression and sold multiple paintings worldwide. With a background in interior design at the Rhodec International Art College in the UK and numerous visits to the International Summer Academy in Salzburg, she developed her artistic style. Since 2024, she has been deepening her path through her studies at the Academy of Fine Arts in Kolbermoor, Germany, with Prof. Markus Lüpertz. Her innovative works, especially the interactive acrylic tiles, and her multi-layered works inspire art experts and collectors. She had her first major solo exhibition at the renowned Samulis Baumgarte Gallery in Bielefeld and many exhibitions at international art fairs. Puschmann has earned a firm place for herself in the contemporary art scene; her works are represented in international collections and show that true art is created from passion.
And guess what?Brigitte Puschmann is one of the featured artists in our Studio visit Book Vol 5, alongside many talented artists from around the world. Want a sneak peek? Grab your copy now from our shop and enjoy the fantastic artwork created by this global community.
https://shop.artstoheartsproject.com/products/the-creative-process-book
In this interview, we step into the creative world of artist Brigitte Puschmann. She talks openly about how her ideas come together, what inspires her, and how she works through each piece in her studio. She shares some sweet memories, her current projects, and what her dream studio would look like. Her cats sometimes drop by for a visit, though they’re not always helpful! As you read, you can almost smell the mix of fresh paint and wood in the air — it’s a space full of colour, ideas, and calm focus.
1. Can you describe your typical studio day and creative process?
There are typically two different situations when I start my work. Either I find a great new idea that I immediately want to realise. It may even imply new materials I already have in my studio that I can finally get into action. Or I focus on a Work in progress and reflect first. I see how I like the piece after I have slept on top of it. I can even explore the ideas that I had during the night.
2. What is the primary inspiration behind your current body of work?
It is about life, its continuous transformation, and its complexity. Only when you look close enough will you be able to detect the multilayered structure of life. Even if we believe in something straightforward, the reality is much more complex. Simply because everything follows specific structures and patterns, and this is what I am exploring to detect those patterns and combine them to create something great.
3. What is your favourite memory or incident from your studio?
The most incredible experience was when I moved into my first studio over twenty years ago. I was fortunate that I found a place in the same building where I lived. It was fantastic! It was so amazing to have space for all my work finally. Most importantly, I did not need to care whether the colour dropped on my floor or walls.
4. Do you have any studio assistants, or do any visitors, like pets or kids, often accompany you?
Yes, sometimes my cats visit me. But honestly, I try to avoid it. I cannot spend time with them, and I always need to watch them not jump on my desk and land on the fresh colour.
5. How would you describe a dream studio for yourself?
Space and north daylight. Even though I currently have three studios, it sounds like I should have enough space, which is true, but not really. I have quite some space in the academy, but not all the material is always with me. My studio in Munich is an interim place, and my studio in the Kitzbühler Alps is cosy and friendly, but it has low ceilings and unfortunately not enough space and light. But it is within walking distance, which I appreciate, as finding an affordable place in the downtown city is difficult.
6. If you could set up your studio anywhere in the world, where would it be?
Honestly, a tricky question for me. I guess I cannot answer it for now. And a question, which keeps me busy. Why? Because when I am in my studio, I forget everything. I am just at that place. Yes, I do want to have the right light, the right size, view and vibes. But this could be almost everywhere. Nevertheless, I do not know whether any vibes from a hectic city like NY would add anything or the calmness of a silent village in the mountains or anywhere else. Somewhen I will have the answer to it.
7. Can you discuss any ongoing projects or plans for your work?
There are multiple ones. Currently, I am working on two elements that are contradictory but also elementary to my current journey. The first is the further exploration of my Level Series. Here, I work on visualising the multilayer levels, which allows transparent views of underlying levels and elements/colored areas that make the statement in the picture. The other one is an entirely different story. My galerist believes in my Infinity series. This is a whole concept in itself. The work will be changed by adding, removing, or replacing acrylic tiles. It only stays sustainable in this world when I capture it through the lens of my camera. Here I explore lots of new combinations and new tiles. Therefore, this series has its title infinity – it is endless.
8. What does your studio smell of right now?
The smell of colours. I also needed a bit of wood, as I was adjusting some wooden frames.
9. How do you organise your space?
I have my core area, where all my favourite colours surround me. I have a couple of wheel-driven shelves, where I have my colours sorted. But even my desks are on wheels and contain different materials.
10. What is your favourite corner in the studio?
My core working area is as simple as that. But also my photo wall, as I bring my work into a new, fresh environment here. Unfortunately, as you might see in my studio pics, I do not have enough space here.
Brigitte’s studio feels calm, cosy, and full of creative energy. There’s a soft smell of paint and fresh wood in the air, and everything seems to have a purpose — from her movable desks to neatly sorted shelves of colour. It’s a space where time slows down and ideas quietly come to life. Visit our website to explore other artists’ virtual studio spaces. To get featured on our website, don’t forget to apply for this month’s call for art.
Read more about Brigitte on her Website and Instagram.
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